Everything we have on this: living voices from interviews, books and films — side by side.
I spent so much time searching for who I was that I almost missed my life.
A chorus of voices from people who lived through Chernobyl, assembled not to explain the accident itself but to show how an invisible catastrophe reshapes a person's sense of time, home, and death.
A chamber drama about how easily rigor is mistaken for cruelty, and the hunger for greatness for self-destruction.
The future of cinema is in danger because people forget why we make films
A psychotherapist with half a century of clinical practice examines how the fear of death quietly steers ordinary life, and maps out ways of living alongside that fear rather than suppressing it.
The story of four boys' trek out of town in the last summer before their friendship starts to fracture under the weight of growing differences — a film arguing that childhood friendship sets the standard every later…
I fear for the planet, but I believe in people. Each of us can be a voice for change.
A logician known for technical philosophy writes an unexpectedly practical, almost commonsensical book arguing that unhappy people are usually too preoccupied with themselves, and that turning attention outward …
A film in which the organizers of mass killings in 1960s Indonesia are invited to reenact their own crimes in the film genres they love — and the camera records how their self-glorification slowly turns against them.
Technology shouldn't replace imagination, it should expand it
A 'biography' of cancer told as the case history of an entire civilization — humanity's centuries-long attempt to understand an enemy that turns out to be made of its own cells.
A drama about dementia told not as an outside view of an ill man but as an attempt to make the viewer experience, from within, the unraveling of one's own grip on reality.
Fear is like a thief; it robs you of your present.
A survivor's account of Auschwitz that turns testimony into inquiry — an attempt to put into words a machinery built to strip people of their names and reason.
A silent film about the trial and execution of Joan of Arc, shot almost entirely in close-up on her face — a study of what faith looks like when pushed to the outer edge of human endurance.
Young artists should be fearless. Confidence is the foundation of success in art.
Writing under a pseudonym, a Danish thinker picks apart the biblical story of Abraham's readiness to sacrifice his son to argue that real faith demands a step outside every rule of shared morality and logic — a leap no…
A knight back from the Crusades into a plague-stricken land plays a game against Death, less to buy time than to force an answer to whether God exists at all.
Consumer culture is interesting not because it's bad. It's interesting because it reflects our dreams and fears.
An attempt to explain the human mind — from vision and emotion to art and morality — as a set of tools evolution assembled to solve the specific survival problems of our ancestors.
Tarkovsky's debut feature about a boy serving as a scout on the front line, where childhood exists only in the character's dreams — as the gap between who he might have become and who the war made him.
If you don't take risks, you don't create anything real. Failure is part of the process.
A private notebook a Roman emperor kept to talk himself out of fear, vanity, and complaint — not a treatise for readers, but a tool he built to keep doing his job calmly.
A film about a French wire-walker who spent years plotting an illegal crossing between the Twin Towers for a few minutes aloft — shot like a heist thriller in which the prize was not money but beauty.
Deafness doesn't stop vision. Actually, when you hear less, you see more.
A book by Intel's longtime chief on how to recognize the moment when the rules of an industry change irreversibly, and why successful companies find that moment hardest of all to notice in time.
One person's coming of age told through three different actors in three different bodies — a film about how an outer mask of toughness and an inner vulnerability can share one life without ever quite reconciling.
Geschichte kommt durch den Schmerz in meine Arbeit. Ich kann nicht malen, ohne alles zu sehen, was vor mir war.
A candid account of running a company on the edge of collapse, written by someone who lived through it, offering no glossy success formulas but a clear-eyed look at making decisions when there is no correct answer.
A dystopia about a world that has lost the ability to reproduce — and about what makes a person capable of caring for a future they themselves may never see.
Evil exists. It's not a metaphor. We must acknowledge it to fight it.
A guide to the universe and the history of science, written as a declaration of love for humanity's ability to understand the world it is itself made of.
A film documenting climber Alex Honnold's ropeless ascent of the three-thousand-foot face of El Capitan — one in which the camera crew fears for its subject's life as much as the audience does.
My fear started in childhood. The fears of that time are the seeds of my creativity.
a novel about a disgraced professor who ends up on his daughter's farm in the new South Africa and has to relearn how to live without the privileges he once took for granted.
A psychological thriller about a ballerina for whom chasing a perfect performance becomes a chase toward the destruction of her own self.
Parasite is a portrait of modern society, where everyone tries to survive at the expense of another.
a book about a generation sent to die for slogans, and about how war strips even the physical survivors of the ability to return to ordinary life.
Writer's block is doubt speaking louder than your voice.
A trader-turned-philosopher's manifesto arguing that the fate of companies, markets and civilizations is set not by average trends but by rare events nobody could picture in advance — and about the habit of declaring…
Fear is the best teacher. It teaches us courage when we overcome it.
A psychiatrist with forty years of trauma treatment behind him shows that overwhelming experience imprints itself not only on memory but on the body, which is why talk alone is often not enough to heal it.
Authoritarianism is not a fantasy. It's a real threat that grows before our eyes.
A teenager's diary, kept over two years in hiding from the Nazis in an Amsterdam annex — a record of how ordinary life, growing up, and hope kept going even inside mortal danger.
When I make big films, I think of scale not just visually but as a metaphor for human experience. A small character in a vast world—that's all of us.
I've always believed that monsters are not just fear. They're metaphors for everything we don't understand. They need to be understood, not destroyed.
Fear is the most ancient emotion. In Alien, I wanted to return cinema to basics, to primal fear. It was a way to talk about our vulnerability.
Writing about my pain helped me find I wasn't alone in it.
The greatest enemy of knowledge is not ignorance, but the illusion of knowledge
Our universe may be one of countless others, evolving in parallel dimensions